The Globe, Glossop - Pauline Alexander and Sandy Stanage
Gig Review by Ian Cripps (FATEA)
Venue: The Globe
You often wonder why promoters of live music continually take the risk of putting gigs on, the hassle of trying to attract an audience, of providing a suitable environment for artists to perform, of dealing with setbacks, especially in the Folk, Roots and Blues arena.
You wonder. Then you see the captivation of the faces of those present as they are spellbound by the act on stage.
Last night at The Globe was indeed spellbinding as Pauline Alexander, a Glaswegian lass possessed of a singing voice as pure and clear as a trickling burn, delighted and entertained in a fashion that was pure magic.
Pauline, making her fourth return to Glossop, brought with her a new partner, Sandy Stanage (Kentigern, Molendinar) who offered accompaniment on acoustic guitar.
Switching between banter in a soft and sometimes quite honestly difficult to decipher Scottish accent, (at least for this Derbyshire lad) to the incredibly sweet and clear voice when singing was a marvel. A light switch with no dimmer, either off or on.
On, she tackles the songs by the much loved and renowned Scot Dougie MacLean, ("Down Too Deep") as if she is living them, owning them in fact. You feel it is her dreams that are put on hold when obligations and expectations take priority, love takes a backstep.
She breathes emotive life into Canadian Stan Rogers's "Song of The Candle" (an artist who emerged on to my radar when Swill from The Men They Couldn't Hang added "Barrett Privateers" to their set lists). It's moving stuff.
You can't fault the choice of material, yet as good as it is the execution is truly exceptional.
In these times of division, common ground is sought, Sting's plea's in "Russians" "There's no monopoly on common sense / On either side of the political fence" is as appropriate today as it was at the time, the hopes going forward are the "Russians love their children too". A brave choice of song to cover, as is Dire Straits "Brothers in Arms". Yet it gives Stanage the opportunity to show what a talented musician he is, all throughout his playing is understated to the point of perfection, every single note counts and it is impossible not to warm to his stage persona too.
Alongside such songwriters, you could be forgiven for expecting less from original material, especially when it is claimed that one such song was written in the advertising break during "Coronation Street"! No so. The tracks from her debut album "Thoughts for The Masses" are of the highest quality offering insights into difficult subjects such as mental health, isolation and psychiatric hospitals (Where Lucifer Lingers) of abuse and family life and the view from those who care (Dear Sister). Coupled with the deeply dark "Seven Notes" which evokes visions of June Tabor's singing with the Oysterband.
Then, is if to test herself she launches into renditions of Sandy Denny's "Late November" and Mike Silver's "Where Would You Rather Be Tonight".
And when you think it can't get any better - it does. The encore, Joni Mitchell's "For Free" a song about a singer who has made it. Who travels in Limousines, with minders for the concert tour, who spots an artist on the street corner playing to the passers-by for free "Nobody stopped to hear him, though he played so sweet and high, they knew he had never been on their TV, so they passed his music by".
Pauline Alexander and Sandy Stanage are not on your TV, they are not that well known, they are however one of the best acts on the current folk circuit I've seen this year. Please don't "Pass Them By".
Support on the night was from Chris Neale, a folk singer in the Mike Harding vein, his tale about the brass band on the bus round the pubs was both entertaining and risqué. Chris brought along his daughter Isobel Flora who was possessed with a fine voice and Sam Baxter, a violinist who's studying music at University.
All in all, a cracking night, a credit to organiser Jamie Knowles and the team at the Globe.
Celtic Connections - Pauline Alexander and Edwin Gallacher
Gig Review by Danny Matheson (Celtic Music Radio)
Venue: The Mitchell Theatre
.Pauline Alexander and Edwin Gallacher are a musical match made in heaven. They made their debut to Celtic Connections 2015 on a cold and snowy evening but soon warmed the hearts of an appreciative audience.
Pauline took to the stage announcing that the last time she had performed there was when she was 11 and was playing the back end of a snake. Since then, as in the popular board game snakes and ladders, this lady has only been climbing ladders and will continue to do so. Slips down the snake will only be minor ones.
Opening with “Where Lucifer Lingers” Pauline’s pure and powerful voice captivated the audience. Accompanied by the sublime guitar playing of Edwin this duo went on to enthral the crowd with some old songs, including “Seven Notes” and a cover of Dire Straits’ “Brothers in Arms” coupled with some new self penned songs.
I would urge a recording company to sign this duo up as they have so much wonderful material that should be available on CD.
Before the show started few people would have heard of Pauline and Edwin as they were the support act for The Pearlfishers but by the end of the show the queue to buy Pauline’s original CD was testament to how much they enjoyed them. This audience would have gone home raving about the voice of Pauline Alexander and the guitar skills of Edwin Gallacher and will not forget them in a hurry.
.This is going to be THE year for Pauline and Edwin and if you get the chance to see them I strongly urge you to do so.
Presenter at Celtic Music Radio
Thoughts For The Masses - Pauline Alexander
Album Review - Pete Townsend (Cross Rhythms)
Pauline Alexander - Thoughts For The Masses
OUR PRODUCT CODE: 105322-17551
FORMAT: CD Album
This product is currently not available from Cross Rhythms Direct
Reviewed by Pete Townsend
This debut album from the Glasgow based singer/songwriter will instantly have you tugging your ear as in the charade game, 'sounds like'. Comparisons to Eva Cassidy, Carol Carpenter and Julie Fowlis are inevitable, particularly when one of the two cover songs is Sting's "Fields Of Gold", which Eva Cassidy made her own. Pauline's interpretation of the song and her version of Lennon's "Imagine", are far more than straight covers. As with the rest of the material on the album, Pauline's voice captivates the listener. Using simple arrangements with mainly guitar and keyboard, the music is almost understated, allowing the voice to take prominence. "Sunday Night" is a perfect example of how the instruments are used to showcase the voice rather than compete for attention. The catchy "Seven Notes" quickly attaches its self to your ears and you'll find yourself humming the tune long after the album has finished. Lyrically, the album tackles some sensitive issues in domestic abuse and mental illness but this doesn't make for a sombre or downbeat listening experience..